南太平洋
102
3.0
全6期
南太平洋
3.0
更新时间:2026年01月05日
主演:本尼迪克特·康伯巴奇 Benedict Cumberbatch,Mike Rowe,Richard Wollocombe,马克·布朗罗
简介:1.海洋岛屿 它们非同的隔绝产生了地球上其它地方所没有的一些最稀奇、惊人和不安定的生存例子,从撕扯掉椰子的大蟹,到把猎物钉在匕首般爪子上食肉毛虫。 人类文明同样不同。五旬节岛上的人们从高高的木制脚手架上纵身鱼跃来庆祝他们每年的收获,只用丛林藤本植物来阻止坠落。 在微小的恩浮塔岛,或许是地球上最僻远的人类社会,当地人为了生存完全依赖他们的庄稼和捕猎。 2.漂流者 在南太平洋并没有荒岛这一回事。它们也许是地球上最偏僻,但2万余个岛屿个个都被开拓了,从新几内亚,天堂鸟的家园,部落野蛮的成人仪式将年轻的战士变成鳄鱼人,到斐济,法属玻利尼西和夏威夷。 这是最后漂流者的故事,从咸水鳄和巨鳗到冠鬣蜥和怪蛙,为了成功不顾一切到达数千哩远的岛屿。这些旅程是很好的功绩。据估计每6万年才有一个物种到达夏威夷。难以相信,这么多的开拓者到达这些受到大自然像龙卷风和海啸接二连三粗暴打击的岛屿。 南太平洋首次人类,玻利尼西亚人的航行,难以忘怀。这些旅程的确是最伟大的探索行动,甚至可以断言,他们永远地改变了南太平洋的大自然。 3.蔚蓝大海 大部分地区是偏僻的,蓝色的旷野的南太平洋是海洋沙漠。海洋中生活着许多动物,它们中有鲨鱼,鲸鱼和海龟,不得不行进异常的距离去生存。虎鲨航行数百哩去享用刚会飞翔的信天翁幼雏的盛宴,每年,抹香鲸从南太平洋的一边旅行另一边去觅食和交配。它们的旅行以悲剧为结局。 但南太平洋并不全是沙漠。新西兰超级富饶的海岸支撑着庞大的特技专家-海豚群,它的珊瑚礁是地球上最丰富多样的,没有几个地方的野生动物比古怪的加拉帕戈斯群岛更丰富的,是热带企鹅和冲浪高手海狮的发源地。 片中始终贯穿着最大的海难故事-令人鼓舞的莫比·迪克的事件(白鲸记)。揭示出在这片看似蔚蓝的大海里巨大的生存挑战。 4.海洋火山 目击地球上最大的海洋中的岛屿出生,成长和死亡。数百万年的历程浓缩在1小时,展现海底火山爆发时难以忘目的影像,熔岩流在海浪下面爆炸。路和房子被熔岩流埋葬。从狂暴开始显露无比丰富的珊瑚礁供养着大群的灰真鲨和大蝠鲼。 南太平洋升起的陆地同样为一些非常陌生的动物带来生命,从能在热带冰雪中兴旺发达的吸血虫,依靠火山泉孵蛋的塚雉,到被珊瑚山截留的大群水母群。 5.奇异的岛屿 在南太平洋的孤岛上有着无战斗力的鹦鹉,翻地觅食的蝙蝠,大石龙子和在树上的袋鼠。野生动物以奇怪的方式演化。在岛上生存可能要付出高代价,对于新来的物种,全都想挣脱这地狱。这里展现出一个难题:为什么动物能完美的适应了岛屿生活,轻易地放弃了灵魂?答案由生存在新西兰海岸外的小岛上,某些不太可能存在的动物来揭示。 人类历史上的活动区域进一步表明,无论它曾是否田园般的,南太平洋岛屿上的生命从未远离过灾难。 6.脆弱的天堂 南太平洋仍相对健康,鱼群丰富,但这是个脆弱的天堂。国际捕鱼渔船为鲨鱼,信天翁和金枪鱼敲响了严重的警钟,对这片美丽的大海还有其它的暗藏危险。这一集注视怎么来维护海洋及其野生动物。 从该地区人类历史的诸多迹象表明,田园般的,充满生机的南太平洋从未远离过灾难。
444
0
南太平洋
主演:本尼迪克特·康伯巴奇 Benedict Cumberbatch,Mike Rowe,Richard Wollocombe,马克·布朗罗
平行世界,平行生命
479
3.0
超清
平行世界,平行生命
3.0
更新时间:2026年01月05日
主演:Mark Oliver Everett
简介:英国Eels乐队的一名歌手Mark Oliver Everett将为你讲述他的天才父亲的传奇悲剧人生和神奇经历。他的父亲曾在24岁发表了一篇"多重世界"的物理论文,震惊了全世界,但物理学界并不买账,他的父亲只能放弃了量子物理学。现在这件事被认为是物理学界最严重的悲剧之一,他的理论如此超前以至于当时的人无法理解,50年后的今天人们才证明了他的理论... Singer Mark Oliver Everett - E from the Eels - explains why he made a film about his brilliant, tragic father Shortly after my father died the phone started ringing. My father was Hugh Everett III. When he was 24 he wrote a ground-breaking thesis about physics most commonly known as"the many worlds theory". It challenged the accepted notion of how the world works in such a huge way, stating that there were actually countless versions of ourselves splitting off and going through as many different scenarios as you could imagine, and the physics powers that be (Albert Einstein, Niels Bohr) were having none of this. They weren't about to let a 24-year-old knock their faces off the Mount Rushmore of physics. Getting no encouragement, my father gave up on quantum physics. It's now considered to be one of the greatest tragedies in physics that my father wasn't taken seriously. He was so ahead of his time that there weren't even ways to prove his theory mathematically, but now, 50 years later, there are. And it checks out quite well. I knew this day was coming ever since the phone started ringing in 1982. It was always some"physics groupie" asking for my mother so they could grill her for information about my father. And, as time went on and technology caught up with him, the interest kept mounting. I'm a singer and songwriter in a rock band called Eels. I never knew much about physics and my father was a complete mystery to me, even though I lived in the same house with him for 18 or 19 years. He rarely spoke. He was an ever-present lump of flesh sitting at the dining room table every night writing out crazy calculations on a pad of paper. That's about all I saw of him. When the BBC asked if I was interested in making a film, I jumped at the chance. I have tended to deal with my family by making them into little art projects. I made an album in 1998 called Electro-shock Blues that dealt extensively with my sister's and mother's deaths. While my sister's suicide note did indeed contain a passage about going off to meet our father in a parallel universe, I hadn't made anything that dealt with my father the way I had dealt with the rest of my family, and this was the way I liked to do it: make something that is therapeutic for me personally that, hopefully, can offer something for the rest of the world. The idea made me both excited and uncomfortable. And the uncomfortable part was what made me know it was something I'd have to do. I didn't like the idea of opening up that world of pain and going back to Virginia and Washington DC, places where I can smell the dread in the air because of all the painful memories. But to get the chance to hang out with my father's college roommates, who are all still alive, friends and coworkers, was too interesting for me not to go through with. I knew I was going to learn a lot about both physics and my father. And I did. The first few days of shooting were awkward and I felt pretty uptight. Then one day while I was being interviewed on camera about some painful experience, I heard Louise [Lockwood], the director, softly click her mouth and whisper,"Aw, E..." Suddenly I thought:"These people actually care about me." I then relaxed and probably started saying all sorts of things I would have been too guarded about before. I was struck by what a tragedy my father's life was. He has contributed something huge to the world, but for him it was painful. How would you like to come up with something so mind-blowing about how the world works, confident that you knew it was true, but have no one support your view? It must have been the loneliest life, being the smartest guy in the room, just having to shut up and keep your thoughts to yourself while the regular chimps all chat away. I was determined to help to give him the day in the sun he never got when he was alive. I spent a week at Princeton learning about physics and hanging out with my father's old friends. I did not inherit my father's gift for mathematics, and can barely calculate the tip after dinner, so it was a real challenge for me to be standing in front of blackboards learning about quantum physics. But I came to have a pretty good understanding of my father's theory. In Virginia I met some of my father's coworkers and even went inside the Pentagon (who knew security was so lax?). It was a very difficult process for me, but when it was over I felt really glad that I had done it. It's not easy going back to a place you really don't want to go back to and opening boxes of memories. Particularly with a film crew following you, trying to make you cry ("How does that make you feel, E?"). I'd be really glad if I had a son do something like this for me some day, so I'd like to think that my dad is smiling down from some parallel universe and saying,"thanks".
1404
0
平行世界,平行生命
主演:Mark Oliver Everett
债务美国
526
3.0
超清
债务美国
3.0
更新时间:2026年01月05日
主演:Robert Bixby,Humphrey Bogart,沃伦·巴菲特,George Bush,George W. Bush
简介:Wake up, America! We’re on the brink of a financial meltdown. I.O.U.S.A. boldly examines the rapidly growing national debt and its consequences for the United States and its citizens. As the Baby Boomer generation prepares to retire, will there even be any Social Security benefits left to collect? Burdened with an ever-expanding government and military, increased international competition, overextended entitlement programs, and debts to foreign countries that are becoming impossible to honor, America must mend its spendthrift ways or face an economic disaster of epic proportions. Throughout history, the American government has found it nearly impossible to spend only what has been raised through taxes. Wielding candid interviews with both average American taxpayers and government officials, Sundance veteran Patrick Creadon (Wordplay) helps demystify the nation’s financial practices and policies. The film follows U.S. Comptroller General David Walker as he crisscrosses the country explaining America’s unsustainable fiscal policies to its citizens. With surgical precision, Creadon interweaves archival footage and economic data to paint a vivid and alarming profile of America’s current economic situation. The ultimate power of I.O.U.S.A. is that the film moves beyond doomsday rhetoric to proffer potential financial scenarios and propose solutions about how we can recreate a fiscally sound nation for future generations. Pointedly topical and consummately nonpartisan, I.O.U.S.A. drives home the message that the only time for America’s financial future is now. --© Sundance Film Festival
1395
0
债务美国
主演:Robert Bixby,Humphrey Bogart,沃伦·巴菲特,George Bush,George W. Bush
阴阳相成
589
3.0
超清
阴阳相成
3.0
更新时间:2026年01月05日
主演:基努·里维斯,大卫·芬奇,马丁·斯科塞斯,詹姆斯·卡梅隆,史蒂文·索德伯格,丹尼·博伊尔,克里斯托弗·诺兰,拉娜·沃卓斯基,拉斯·冯·提尔,大卫·林奇,乔治·卢卡斯,罗伯特·罗德里格兹,迈克尔·查普曼,杰西·布拉德福特,瑞德·穆拉诺,格蕾塔·葛韦格,理查德·林克莱特,沃利·菲斯特,莉娜·邓纳姆,安东尼·多德·曼妥,维托里奥·斯托拉罗,维尔莫什·日格蒙德
简介:经过上百年的发展,胶片技术从蛮荒走到成熟,电影人采用化学摄影法创造了一个又一个经典和视觉奇迹。而当时间逐渐走向21世纪时,化学摄影法趋近临界点,几无上升空间,且越来越无法应对电影工业对新技术和全新拍摄手法、理念的诉求。与此同时,数字摄影方兴未艾,正以前所未有的势头进入传统技术固若金汤的电影领域。从Dogma 95对手提DV的使用,到乔治•卢卡斯大胆的HD摄影之应用,伴随着“顽固派”和“革新派”的政治和讨论,数字摄影蚕食着传统胶片的领土,逐渐成为当今电影工业的主流。在这一过程中,配光、摄影、剪辑等工作也相继受到冲击和影响。 这是一场全新的革命,是对充满各种可能性的未来满怀信心的展望……
1446
0
阴阳相成
主演:基努·里维斯,大卫·芬奇,马丁·斯科塞斯,詹姆斯·卡梅隆,史蒂文·索德伯格,丹尼·博伊尔,克里斯托弗·诺兰,拉娜·沃卓斯基,拉斯·冯·提尔,大卫·林奇,乔治·卢卡斯,罗伯特·罗德里格兹,迈克尔·查普曼,杰西·布拉德福特,瑞德·穆拉诺,格蕾塔·葛韦格,理查德·林克莱特,沃利·菲斯特,莉娜·邓纳姆,安东尼·多德·曼妥,维托里奥·斯托拉罗,维尔莫什·日格蒙德
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